SINOPSIS DEL LIBRO

<p>It is 1777, and England's second-greatest portrait artist, Thomas Gainsborough, has a thriving practice a stone's throw from London's royal palaces. Meanwhile, the press talks up his rivalry with Sir Joshua Reynolds, the pedantic theoretician who is the top dog of British portraiture.<br>Gainsborough loathes pandering to grand sitters, but he changes his tune when he is commissioned to paint King George III and his large family. In their final...Seguir leyendo