<p>'Despite his deep sense of privacy, Beckett's persona has been so widely written about that it has become unavoidably mixed up in our imagination with what Bernold calls his "creatures". Whether or not Barthes and Foucault were right to dismiss the figure of the author, when confronted with Vladimir wincing or Krapp hunched over his tape recorder or Molloy resting on his bicycle, one's mind always seems to turn to the "gentle mask" placed over...
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