The almost invisible images of a hitherto unknown painter called Eusebius who worked in San Vitale Ravenna and in Vivarium are a gallery of portraits of his famous contemporaries such as Theodoric Vitiges Amalasunta and a visual commentary of Justinians tyrannical behaviour Living between two ages without belonging to either this solitary man represents the fullest embodiment of a type of cultural hybridisation that is well attested throughout hi...
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