<p>Skin, David Harsent's new collection, consists of ten dramatic sequences of poems, which, like a planetary system, operate on one another in a dynamic assemblage of propulsion and pull. The stage is charged and minimal. Harsent works from an image-bank of 'touchstones' accrued over the course of a long poetic career and rich with symbolic import: doorways and windows, a bed, a mirror, the sea, the moon. To which, the players arrive in various ...
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