The Flying Inn may be briefly characterised as a narrative comic opera It follows the Gilbertian formula of satirising actual anomalies by carrying them out quite logically to burlesque extremes and the resemblance is heightened by the serio-comic songs with which the characters regale one another throughout the story Mr Chesterton takes Prohibition for his point of attack as it might have been Chancery or Aestheticism or the Admiralty and his fa...
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