Ouverture
M. Hüttler and H. E. Weidinger: Editorial 
Forewords

Prologue: Politics
M. A. Yalç?nkaya: The Recruitment of European Experts for Service in the Ottoman Empire (1732-1808)
B. M. Buchmann: Austria and the Ottoman Empire between 1765 and 1815

Act I: Fashion and Diplomacy
A. Bönsch: From Aristocratic to Bourgeois Fashion in the Second Half of the Eighteenth Century
S. Suner: Of Messengers, Messages and Memoirs: Opera and the Eighteenth-Century Ottoman Envoys and Their Sefâretnâmes
Ç. Sar?kartal: Two Turkish-Language Plays Written by Europeans at the Academy of Oriental Languages in Vienna During the Age of Haydn

Intermezzo I
W. Puchner: Karagöz and the History of Ottoman Shadow Theatre in the Balkans from the Seventeenth to the Twentieth Centuries: Diffusion, Functions and Assimilations

Act II: Books in and about the Ottoman Empire
O. Sabev: European Printers in Istanbul During Joseph Haydns's Era: ?brahim Müteferrika and Others
G. Roper: Music, Drama and Orientalism in Print: Joseph von Kurzböck (1736-1792), His Predecessors and Contemporaries
R. Buchberger: The Austro-Turkish War of 1788-1791 as Reflected in the Library of the Viennese Bibliophile Max von Portheim

Intermezzo II
K. Springer-Dissmann: Did Mozart Drive a 'Haydn'? Cartwrights, Carriages and the Postal System in the Austrian-Hungarian Border Area up to the Eighteenth Century

Act III: The Esterház Stage
L. Wolff: Turkish Travesty in European Opera: Haydn's Lo speziale (1768)
C. Clark: Encountering 'Others' in Haydn's Lo speziale (1768)
N. Ç?k?gil: Haydn's Humour Reflected in Lo speziale (1768) and L'incontro improvviso (1775)
M. Head: Interpreting 'Abduction' Opera: Haydn's L'incontro improvvisos, Sovereignty and the Esterház Festival of 1775

Intermezzo III
C. Zoidl: A Royals' J

Filtros