Klaus Sachs-Hombach / Jörg R. J. Schirra
Introduction

I.Methodological Aspects of Picture Anthropology

Iain Davidson
Origins of Pictures: An Argument for Transformation of Signs

Jean Clottes
Consequences of the Discovery and Study of the Chauvet Cave

Lambros Malafouris
Learning to See: Enactive Discovery and the Prehistory of Pictorial Skill

Christa Sütterlin
Early Face Representation as Proto- or Archetype of Generalized Human Face Perception

II.Relation between Empirical Anthropological Investigations and Synthetic Philosophical Investigations

Søren Kjørup
Resemblance Reconsidered: Confessions and Concessions of a Conventionalist

Jörg R. J. Schirra; Klaus Sachs-Hombach
The Anthropological Function of Pictures

III.Archeological and Paleoanthropological Perspectives on the »First« Pictures

Christian Züchner
Symbols and Signs of the Earliest Art of Ancient Europe

Nicholas J. Conard; Harald Floss
Early Figurative Art and Musical Instruments From the Swabian Jura of Southwestern Germany and Their Implications for Human Evolution

Ekkehart Malotki
The Road to Iconicity in the Paleoart of the American West

Ellen Dissanayake
Born to Artify: The Universal Origin of Picturing

Tilman Lenssen-Erz
The Dark Ages of Picturing: Does Art Originate from Caves? A Synopsis

IV.Picture Competence in Developmental Psychology and the Role of Gestures and Facial Expressions

Göran Sonesson
The Picture Between Mirror and Mind: From Phenomenology to Empirical Studies in Pictorial Semiotics

John Matthews
Seven Spots and a Squiggle: The Prehistory of Pictures

Dieter Maurer
Early Pictures in Ontogeny and Phylogeny: Preliminaries to a Comparison

Sabine Völkel; Peter Ohler
Understanding Pictures in Early Childhood

V.Cultural Anthropol

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